Celebrating 200 years of Jane Austen: An interview with Susannah Fullerton

July 18 marks the bicentenary of Jane Austen’s death. Two years (and two children) ago I went to listen to Susannah Fullerton speak in the Blue Mountains. Susannah is a literary lecturer, author, and President of the Jane Austen Society of Australia.  Her wealth of knowledge about all things Jane and the regency period is incredible and it is an absolute joy to hear her speak.

‘There certainly are not so many men of large fortune in the world as there are pretty women to deserve them’

Mansfield Park

If you’ve spent more than five minutes on this blog you’ll know that I love Jane Austen. Her novels are like old friends, we know each other, and yet they are constantly surprising me. The subtlety of her wit, so gentle and yet so sharp is, as a reader delightful, and as a fellow writer, quite depressing, frankly.

Pride and Prejudice has always been my favourite, the comedy, the romance and, as I get older, the social commentary,  make this a story that never bores or disappoints.  And the characters! I have met them all in my own life, as one of five siblings I’m convinced I’ve lived with most of them. We all have a Mr Collins in our life, a Charlotte Lucas and a Mrs Bennet.

‘There are few people whom I really love, and still fewer of whom I think well.’

Pride and Prejudice

I have always loved the elegance of Elizabeth Bennet’s manners. Even though her family quite often drive her mad and her neighbours make her laugh, her criticism of the other characters in the book is never displayed by bad manners or rash words. Her patience in refusing Mr Collins and foiling Lady Catherine is praiseworthy, and I remember, even as a young reader, being impressed by her forbearance when speaking about her parents. She can love her mother, even without thinking well of her, and her sense of filial duty, as well as her sister Jane’s, is something that has always made an impression on me.

‘I cannot make speeches, Emma…If I loved you less, I might be able to talk about it more. But you know what I am. You hear nothing but truth from me. I have blamed you, and lectured you, and you have borne it as no other woman in England would have borne it’

Emma

July 18 marks the bicentenary of Jane Austen’s death. Two years (and two children) ago I went to listen to Susannah Fullerton speak in the Blue Mountains. Susannah is a literary lecturer, author, and President of the Jane Austen Society of Australia.  Her wealth of knowledge about all things Jane and the regency period is incredible and it is an absolute joy to hear her speak. Susannah is speaking at many events over the month of July as part of the bicentenary celebrations. If you have the chance to go and hear her speak, make sure you take it!

janeaustin
Jane Austen is to replace Charles Darwin on the £10 note 200 years after her death.

 

I emailed Susannah recently and asked her some questions about Jane Austen, Australian literary history, and research. I hope you enjoy reading her responses as much as I did.

To begin with, an easy question, although perhaps not an easy answer; who is your favourite Jane Austen character?

My favourite Jane Austen character is Emma Woodhouse. She has faults and virtues and is so wonderfully human. I have learned so much from Emma, I admire and love her, and feel, just like Mr Knightley, that she is “faultless in spite of all her faults”.

What do you think is Jane Austen’s most important legacy?

Jane Austen hugely developed the progress of the novel. She was the first writer in English to use the technique of free indirect discourse, something soon taken for granted in fiction, and she made other writers realise that the domestic scene could be a good subject for fiction. She also set a standard for the novel which, in my view, no other author has ever matched. She balanced humour and seriousness, gave us characters to love or to hate, and she made every single sentence work – Jane Austen never wasted a word!

What has been the most astonishing fact you have come across in your research? 

When I wrote my book ‘Jane Austen and Crime’ I came across many things that astonished me about crime in the Georgian era, and the ways Jane Austen used crimes in her writing. It is amazing to note that some of her characters commit hanging offences in the novels and juvenilia. I began that book as the subject for a short talk, but found so many crimes in her fiction and such interesting ways of using them, that the talk turned into a book that took me 7 years to write. I felt very proud that I was showing modern readers things Jane Austen’s contemporaries would all have taken for granted when they read her novels. 
 in vain notebook

In your book Brief Encounters: Literary Travellers in Australia 1836-1936 you delve into the visits of a diverse array of writers to Australia. Who do you think is Australia’s biggest literary legend? 

I had a wonderful time following 11 different authors in their travels around Australia – Darwin, Trollope, Conrad, Kipling, RL Stevenson, Twain, London, Conan Doyle, DH Lawrence, Agatha Christie and HG Wells – and writing ‘Brief Encounters’. It was fascinating to view this country through their eyes and to see how the visits they made here influenced their future writings. When it comes to Australia’s own literary legends, I guess it has to be Patrick White who is the only Australian Nobel Prize winner, but I am not a Patrick White fan, nor do I know many people who really love his novels and return to them again and again. I think ‘Seven Little Australians’ is a wonderful Aussie classic.

And finally, for all of us writing historical fiction, what are your top three research tips? 

I adore historical fiction, but lack of research can so easily cause some awful blunder which immediately collapses any conviction on the part of the reader. I think the most important advice is READ, READ, READ – books about the era, other novels set in that era, biographies of people who lived then. And a good dictionary is an essential tool, so you can make sure that words you use are not anachronistic. 

 

Processed with VSCO with c1 preset
Who is your favourite Austen Character?

Thank you Susannah, I tried out one of my many dictionaries on anachronistic, and I’m pleased to report that it is up to the job. Readers, tell me, who is your favourite Jane Austen character? What is your favourite quote? Do you agonise over the language in your historical writing?  What is the most interesting thing you have read in the name of research?

And just like that, my blog and I are back from maternity leave. It’s nice to be back. Next month I have another interview, this time with Kirsty Manning, author of The Midsummer Garden. Until then, make sure you keep in touch and come say hi to me over on Twitter, Facebook or Instagram. Stay warm everyone, I’ll see you all in a month.

 

Image credits for header illustration AG Doyle.

How Motherhood has Allowed me to Write

This has been a valuable lesson in what I am capable of, even from the depths of exhaustion. If I write, something eventually will come out of it.

Having Children has allowed me the time to write.

Not the physical time — I honestly don’t know what I did with all those hours in the days before kids — but the mental time. I’m very lucky in that I haven’t had to go back to full time work since having children, the few hours a week I work are stimulating rather than draining, and that means when I’m spending an hour and a half walking 500m down the road, or endless hours at the park, or doing the dishes, or playing Lego, or cooking, my mind is fresh and sharp and eagerly plotting its way through the next hurdle of my story.

 washing-dishes-1112077_1920

And being short on time means I don’t waste a free second. If the children are happily distracted, or even asleep, I sit down and I write. Even when I’m exhausted and feel like my three-year-old could come up with better material, I write, because I don’t know how long it will be until the next opportunity comes along. And this has been a valuable lesson in what I am capable of, even from the depths of exhaustion. If I write, something eventually will come out of it.

The children are all at an age where they constantly crave my attention.

I keep reminding myself to embrace this period of unconditional love and desire for my approval. I know it’s not going to last. This isn’t always easy, and I’m often not as gracious about it as I would like to be. When my 3-year-old asks me if I need a lie down, I know I have not been winning at the so-called peaceful communication, but I have learnt that if I can give them my attention in full, at regular intervals, I can ask more of them down the track.

 

For instance, we are a household of book lovers. Occasionally there are rare, glimmering moments of domestic bliss when all of us are bunkered down in the loungeroom with a book — even the 17mo who likes to identify as many dogs as she can in any given book. The girls emulate the thousands of times they have heard us read to them to facilitate their own reading experiences, usually with quite hilarious digressions. These moments last twenty minutes at the outer limit, but during these times I feel so much love for my family, so much gratitude for my blessings, and not a little smug at my household management abilities. Inevitably these moments will end abruptly and catastrophically in a potty-training incident or something broken, or someone in tears, or all of the above, usually before I’ve even properly enjoyed my smugness.

Motherhood is an incredible blessing.

Having this time at home, watching my children grow, getting to be with them every moment of the day is a blessing not everyone has, and I am daily grateful for it. Even when I’m an emotional wreck, even when it’s hard, even when all I want is for everyone to shut up for five minutes. I know how blessed I am to be given this chance.

Processed with VSCO with c1 preset
Processed with VSCO with c1 preset

 Also, I am grateful for the pause in my professional working life that has allowed me to give myself permission to follow my creative desire. And I am especially grateful to my husband for all his love and support. He doesn’t necessary understand the havoc my imaginary world can wreck on my day, but he understands that it is important to me, and has been an unfailing support, and a quiet encourager through the slow journey to creative ownership, even if he often falls asleep when I’m nutting through a plot problem with him at 11:30pm (at least I know the story won’t be spoiled for him when the book comes out).

Above all, the biggest thing that my children have taught me is that I really want to do this. It’s hard. Keeping little people alive day in day out is hard enough, trying to carve time out of that to write a novel is, emotional. But I love it and want it too much to quit, so I will make it work — hopefully without turning completely nuts and damaging my children beyond repair in the process.

 Last week we welcomed the newest member of our family into the world. Our first little boy, bringing our clan to a total of 3. Needless to say, he is an adorable little bundle, all snuggles and beautiful new-born smells and cute little pops and squeaks.

Which brings me to a massive thank you I must give.

This blog post is brought to you courtesy of my fabulous mother, who has given up weeks of her time to come and cook, clean, wash, mediate, grandmother and basically take charge while I take time out to get to know our little man and create. She is incredibly untiring and it is so wonderful to have this time with her all to myself (and my children) and I am so grateful for her support. Thanks Mum. You are the absolute best.

The all-important question of balance.

I mentioned back in January that I would pass on any tips I had for achieving an elegant breast-feeding-1582923_1280motherhood/creativity balance. I would have to say the biggest lesson I have learnt (and I learnt this the hard way with little cherub number two) is that you have to let go of expectations. If I try to plan my day around a certain word count or to do list, I will inevitably end up stressed off my nut, cranky, exhausted and all without having achieved my target. It’s like the kids can sense when you have an ulterior motive and do their darnedest to interrupt your plans. If I resign myself instead to taking all the stolen moments I can and doing my best with those, my mind (and my heart) are free to devote my attention to the kids with more joy. This is the way that works for me. I tried the other way and it was messy, emotional and detrimental to the entire family.

 

 This way, I can still work towards a goal, but in a more relaxed fashion (and it is surprising how much you achieve with those stolen moments), and, more importantly, I am not missing those precious moments of the childhoods that are all too fleeting.

Where I’m at.

I’ve spent the time granted to me by Mum’s visit beginning the first round of re-writes for my manuscript, I’m excited by the direction the story has taken, and enjoying the improvements! I’ve also been doing some research for my upcoming blog posts. Next week marks 100 years since the beginning of the Russian revolution, and I had planned to write a historical post on Russia, but it evolved into a European history post, with a twist of political musing, something a little different from me. To make sure you don’t miss it, or any of my posts, be sure to subscribe to my blog using the box at the bottom of the page. If you’d like to get in touch between posts, or take a peek into the world of my writing, reading and mothering, then you can find me most days on Twitter, Facebook or Instagram. Happy autumn everyone (every writer’s favourite month), I’ll see you next week!

 

 

 

 

The Research Question: Will I Ever Get it Right?

My problem with the book isn’t the writing, or the pictures, or the story. It’s a tiny detail, so small to be of almost no significance, but it is wrong and it bugs me like you wouldn’t believe.

We have a book in our children’s collection called Mouseton Abbey, and it drives me insane.

It’s a sweet book, the pictures are all made up of knitted mice dressed in cute outfits having adventures against the backdrop of their illustrated abbey. There are ‘upstairs’ and ‘downstairs’ mice, and the whole thing is an entertaining parody of Downton Abbey.

My problem with the book isn’t the writing, or the pictures, or the story. It’s a tiny detail, so small to be of almost no significance, but it is wrong and it bugs me like you wouldn’t believe.

The Housekeeper’s name is Miss Swiss.

Housekeepers are never Miss. Nor, for that matter, are cooks. They are always Mrs, regardless of whether or not there is a Mr Swiss on the scene.

Why? I don’t know. I could look into it, but frankly, I’m spending enough time on the internet at the moment researching the different suburbs, or quarters of Rome, mapping the Allied advance through Italy during the second world war, and trying to get a handle on how the black market operated in Rome in 1943-44.

Research for one’s writing is a funny thing.

There is so much I can tell you about occupied Rome. For instance, the occupation happened on the 10th of September two days after the Italian’s announced that they were switching sides of the war, and 45 days after the Italian’s deposed their long-standing dictator, Mussolini.

Food was scarce in Rome in the initial days after the occupation due to the looting that occurred while the city was in chaos. A ration system was in operation, but with the southern part of the country in the hands of the allies, certain products became near impossible to obtain. Salt and sulphur both came from Sicily, which was in the hands of the allies, and so matches with their sulphur tips became scarce, which was a problem because gas was only available for short periods three times a day, and so you needed three matches a day to light your stove to cook.

img_0496
Reading the facts is one thing, trying to keep track of them an entirely different story!

There was no coffee, but people attempted substitutes, one of which was barley, roasted and ground (an apparently very unsuccessful imitation). No milk, half a pound of sugar per person per month, 150g of bread per day and no tea.

But even though I can tell you that the curfew was originally set from 9pm-5am, and that by January it had shifted to 5pm-6am (with shops and cinemas and cafes closing at 3pm), there is still so much left unknown, so much room for tiny, inconsequential Miss Swiss type errors.

This is the conundrum of the writer.

Will I ever get it right? Will I ever do enough research to make this story plausible? What if I’m found out? What if someone loves the story, the characters, the writing, but can’t forgive the fact that the wrong tree was flowering in chapter three?

And then there are the truly great works of fiction that inspire and cause despair all at once. I just finished reading the incredible Wild Island by Jennifer Livett. Historical fiction done to perfection, however I read in the afterword that she’d been working on that novel for forty years. And Hannah Kent, when she was researching Burial Rites travelled to Iceland and spent months translating documents from ancient Icelandic into English to use for her research. Is that what it takes to be truly great at this genre? Because I would rather not spend forty years per book, and I don’t speak ancient Icelandic (or for that matter Italian, which would be much more useful for my novel).

research foreign language.jpg
At what point do you say enough is enough, and just write the thing?

My Strategy So Far:

I’ve collected diaries and memoirs, watched documentaries and movies, spent a heck of a time on the Australian War Memorial website, talked to them briefly on the phone, nagged my arts-student sister for pointers, and have been gathering about myself people who can read over my manuscript (when it’s fit for human consumption) to give me tips on different topics. I feel like slowly, slowly I’m creeping towards a credible story.

But still the fear is there that it will not be enough.

What is your pet peeve as a reader? And for the writers out there, how do you approach the research question? Advice, tips, and complaints welcome!

Next Week on the Blog

Actually, this month I’ll be taking a break from my weekly blog posts. A new little member of the family is due to arrive any day now, so my hormone-saturated brain and I will spare you our mumblings and I’ll spend February putting in some quality time with my little people. I’ll be back in March with an update on the family and my manuscript (currently halfway through first edit. Lot of slashing happening, a lot of re-writing on the cards). I’ll have three little darlings under three at that point, so if I have managed to come up with some winning methods of balancing the motherhood/writing lifestyle I’ll be sure to share. Or — and this is the more likely scenario — if I’m a raging, weeping, sleep-deprived, under-achieving mess, that could be quite fun to read about too.

research-mother-and-child
Glamourous and serene motherhood goals for autumn.

To make sure you don’t miss this, or any of my posts, you can subscribe to the blog using the box at the bottom of the home page. If you’d like to get in touch between posts, or take a peek into the world of my writing, reading and mothering, then you can find me most days on Twitter, Facebook or Instagram. Enjoy the last month of summer everyone, I’ll see you in autumn!

The Letter Allure

What do you talk about in letters that your correspondent hasn’t already seen on your Facebook page or on that of your mutual friends? You can’t actually share news via letter anymore, and because of that, that the letter loses something of its magic.

‘Sarah, my love for you is deathless… the memories of the blissful moments I have enjoyed with you come crowding over me, and I feel most deeply grateful to God and you that I have enjoyed them so long. And how hard is it for me to give them up; and burn to ashes the hopes of future years when God willing we might have still loved and loved together and see our boys grow up to honourable manhood around us.’

So goes one of my all-time favourite letters. I first heard it read aloud on the ABC radio as I was driving to work one morning. It was written by a man called Sullivan Ballou to his wife, Sarah, in July of 1861, as his company prepared for the first major battle of the American Civil War. Sullivan wrote this letter because he was ‘suspicious that Death is creeping behind me with his fatal dart’. As I listened to the presenter read the letter with all its haunting tenderness, I was desperate to hear that the story had a happy ending. Sullivan, however, was right in his premonition; he was killed two weeks later, his 24-year-old widow never re-married and I arrived at work a blubbering mess.

I have always loved letters. I love their ability to capture the essence of a writer unlike any other medium. There is something about having an expanse of paper laid out before you that invites a plumbing of your thoughts, bringing to light confidences you might not otherwise have thought to share. Often times, passion is more easily expressed via a letter, which is why letters are the favourite weapon of lovers and haters alike.

Processed with VSCO with c1 preset
Letters: the weapon of choice of lovers and haters alike.

 

The Age of Letters is Over

Even though I write and receive more letters than most (and yes, I hear you languishing epistolarians — the writing of the letters has been in sad proportion to the receiving of late, but I’m writing a novel for crying out loud. I’ll get on it, I promise) I see that the need for letters is shrinking with the advent of each new social media platform and the ever-increasing ease of information sharing. What do you talk about in letters that your correspondent hasn’t already seen on your Facebook page or on that of your mutual friends? You can’t actually share news via letter anymore, and because of that, that the letter loses something of its magic.

This fact was born home to me recently as I was — get this — writing a letter. I have a friend whose circumstances have recently changed dramatically. She has left her highly connected, social media saturated world and joined a convent. In another country. There is no social media allowed. No mobiles and only a few phone calls a week that naturally go to her family.

I have to be honest, at first I was (rather selfishly) depressed by the reduction in communication. Obviously this change was much harder for my friend than it was for me, but I still got a pang of sadness every time I had to skip over her name in my Snapchat kid-spam list, or refrain from sharing a post I knew she would like on Facebook, or sending her yet another Trump meme.

But then I got her first letter.

I was not prepared for the utter joy and anticipation receiving that missive brought me. Finally, I could hear her thoughts, find out what the convent was like, the other sisters, the food, the accommodation, the rules. How she was enjoying it, her studies — what were they like? And I could share again, pour onto paper all the things I’d been holding back for her because I could no longer send aimless thoughts her way with a half-conscious click of a button.

I was so excited to ‘talk’ to her again that (please glance aside neglected correspondents) I immediately pulled out my writing set and spent the next week replying to her, filling her in on all the little dramas that had unfolded during my domestic week, savouring particularly entertaining news items, and anything about our common friends that I did not think she would have heard through her family. It was such a joy to be able to disseminate information that one knew would be novel to the reader, rather than just stating yet another opinion on a topic already well canvassed online. A nice, comfortable, newsy (read gossipy) letter.

Processed with VSCO with c1 preset
A whole pile of gossip.

 

Two of my sisters, my mother, my grandmother and an aunt of mine all keep up a semi-regular correspondence.

I am sadly in debt, having received mail from all of them which has gone unanswered since as far back as September, but we’ve texted, talked, and caught up in the mean-time, so it is easy to forget the urgency. The letter from my friend in the convent has made me realise what a pale excuse of a letter they have all been receiving from me to date. I have spent some time thinking over this during the preparation for this blog post and I see now that I need to formulate a better plan for our correspondence, that my letters to them need to include unique pieces of information and request the same in return.

I need to raise the stakes.

Think of Pride and Prejudice’s Lizzy Bennet’s impatience in waiting for her Aunt Gardener’s response to her request for information regarding Mr Darcy’s presence at Lydia’s wedding. That’s the sort of anticipation I want for my future letter-writing efforts.

How to achieve this? What should I put in my letters to increase the drama and expectation? Do you have any suggestions? What news would you like to receive in your letterbox?

Next week, to celebrate Australia Day, I’ll be sharing a list of my top five most surprising discoveries about colonial Australia. To make sure you don’t miss it, or any of my posts, be sure to subscribe to my blog using the box at the bottom of the home page. If you’d like to get in touch between posts, or take a peek into the world of my writing, reading and mothering, then you can find me most days on Twitter, Facebook or Instagram. Have a great weekend everyone, I’ll see you next week!

Literary Survival List

There were some dark days at the end as November was disappearing but my word count remained unchanged. I was feeling frustrated and slightly desperate, and very, very tired.

It can be hard to find the balance between keeping on top of your writing and giving your family the attention they need. I had a very real struggle with this at the end of November this year.

 

I had given myself a deadline. Novel finished by the end of November. Which seemed so easy at the beginning of November because we were away staying with family, and it was easy to ignore the girls for a couple of hours a day because they were quite happy to ignore me back and hang out with their more entertaining (and much more permissive) grandparents. But then we came home and my husband was away a lot, and everyone decided that sleeping during the day or night was overrated and suddenly it was Advent and there was a lot of Christmas baking to do, and still so many words to write.

 

There were some dark days at the end as November was disappearing but my word count remained unchanged. I was feeling frustrated and slightly desperate, and very, very tired. And guilty. I don’t want my writing to be something that happens at the expense of my family, and yet I do want it. I think I may be able to make a go of it, and even if I can’t, I want the chance to try. My writing might be terrible, but then again, what if I’m actually quite good at it? It’s a question I need to find the answer to.

 

So, as the days were slipping by and the computer stayed off and the girls stayed awake, I busied myself keeping in touch with my writerly self in other ways. I call it the Literary Survival Guide and here it is; a quick list of survival techniques for the literarily deprived.

 

Podcasts

A great way to keep in touch with the literary world whilst doing the dishes, driving to work, walking to the park, or tackling the mountain of ironing. Writing and history podcasts are my favourites. Anything with and Author interview is always good, sometimes it’s nice to hear the ones who made it had no idea what they were doing to begin with either. I also get a lot of joy out of listening to shows about random topics or shows that express very different opinions or beliefs to the ones I hold; it’s interesting to learn how people come to their conclusions, and it’s great for potential character development. It’s also good for research if you need information on a particular topic and the hallowed halls of the library don’t encourage you and your menagerie to visit that often.

My favourites:   So you want to be a writer by the Australian Writers’ Centre (my number one go-`to pick-me-up, get in the zone, light the fire podcast)

History Extra by the BBC History Magazine (for when I’m in the mood for some light entertainment and easy learning)

The History of English by Kevin Stroud (basically a history of Europe- incredibly well researched)

Reith Lectures by BBC Radio 4 (I spent hours listening to V.S. Ramachandran talk about   Neurology. Not only is his topic fascinating, but he has the most wonderful thick, Liam Neeson-esque accent that is just heavenly to listen to. Highly recommend.)

LSE Public Lectures and Events by the London School of Economics (because I like to keep abreast of random topics and different thought patterns)

 

 Short stories

A well written short story can be just the thing you need to get you through the afternoon haze. I started reading a collection by Georgette Heyer during NaNoWriMo to keep me sane and it was wonderful. Everything I love about Georgette Heyer delivered in twenty minutes or so. A delicious way to end the day.

 

Read quality children’s books

If you’re reading them, chances are you are reading them a lot. And with little variety. We have a lot of children’s books, but usually only two or three on rotation at a time. If the kids like a book, they will listen to it to death. I’ve always heard that kids’ books are hard to write, and now I know why. If you are writing for children, you are also writing for parents, and your words must stand the test of being read upwards of five times a day. Which is why Alison Lester and Mem Fox and Janet and Allan Ahlberg are so treasured in our house, because my husband and I are so happy to oblige when sticky little fingers present their works to us. The less enjoyable works are very quickly phased out of circulation. 

As a writer, there is a lot to be learnt from the well-written children’s book. It’s a little like poetry in that it must say a lot with very little, and that is an art-form well worth studying. Australian author and illustrator Kate Knapp from Twigseeds studio does this in the most divine way with her Ruby Red Shoes books, and yes, we’ve been reading them a lot lately!

 

Take your kids to the book shop

I must admit, when my children started to walk, I thought my bookshop browsing days were about to take a serious hiatus (which would have possibly devastated the national economy), but our local bookshop is magnificent. They are so welcoming to me and my girls. They have a toy basket set up in the middle of the kids’ book section, little chairs to entice them into with their captured books or toys and are very encouraging when the girls want to be read to. If none of the staff are available to read to her, and I am taking too long browsing, my eldest is quite happy to prowl the aisles and unleash her big, green eyes and messy curls on unsuspecting patrons until someone is secured to her service. But it means I get a break. Five minutes to cast my eye over new works on the shelves, or to touch base with old favourites. A dip into a work of literary advice or a peek behind an unfamiliar cover. And is there anything better than carrying away a paper bag containing a new book promising information and adventures untold? The anticipation of settling down to that story is almost as good as reading the first page and feeling that sense of delighted immersion as you retreat into another world.

 

Word on your phone

I have Valerie Khoo from the Australian Writers’ Centre to thank for this tip. I am not very good with technology, and I didn’t even know it was possible to have Word on your phone. And while not overly useful for anything that takes a considerable amount of time, it is perfect for those stolen moments of creativity that Elizabeth Gilbert talks about. The moments when you are at the park, and no-one is requiring your attention or adoration right now, for the waiting room when the children are occupied with the toys and the receptionist. Instead of checking Facebook, I can re-read the writing I wrote the day before to get me in the zone for later in the day. I can add a few lines to a chapter or a blog post, I can do a spot of editing. I can be writing, and that is always a good thing.

 

 

With this handy arsenal of sanity-savers, we struggled on through to the end of November. My book was not finished by November thirty, but it was finished two days later on December second, and you can bet you that I had one heck of an iced orange juice to celebrate. What does it mean to have finished the book? Well, I’ve spent the last two weeks working that out, and I’ll tell you all about it in the next blog post. Until then, if you’d like a peek into the world of my writing, reading and mothering, you can find me most days on Twitter, Facebook or Instagram. Merry Christmas everyone, I’ll see you next week!